the prints are here!

Hello friends!

I have finally found someone making fine art prints that I love, so I can offer high quality reproductions of the recent two series (Dream Medicine and Dreamscapes) at least through the holidays.  The first round is now available through the Loki collective's Etsy account.  Alternatively, you can email me (email below).

These are the beautiful images Douglas took of my paintings with his fancy camera:

Heron Moon.  giclee reproduction 24" x 18" (8 color archival pigments on 100% cotton rag paper)

Back to the Web.  giclee reproduction 8" x 8" (8 color archival pigments on 100% cotton rag paper)

 

Hive Home.  giclee reproduction 8" x 8" (8 color archival pigments on 100% cotton rag paper)

The Magician.  giclee reproduction 8" x 8" (8 color archival pigments on 100% cotton rag paper)

A Rearrangement of Things.  giclee reproduction 8" x 8" (8 color archival pigments on 100% cotton rag paper)

Sky beneath Sea.  giclee reproduction 18" x 24" (8 color archival pigments on 100% cotton rag paper)



I want to share a little about my first experience with good reproductions, as this process has consistently been a struggle for me
throughout my journey towards a career as a full time artist.  Prints are a necessary part of the game, but I've never once been satisfied with the quality of a reproduction of my work.  But it was so exciting picking up the prints yesterday!  Douglas treated my art with such care throughout the whole process, restoring my brutalized paper to its calm, flat state in the vacuum press, literally handing back the originals in better shape than he'd received them.  His camera is up to museum standard, and the pigments in the prints are so vibrant and accurate that I can hardly tell the difference between the print and the original.  And he has excellent taste in paper, which I am super picky about. 

I am all for affordable art, and happy to have found a financially viable means of offering it.  If you have any questions or feedback about these prints, I would love love love to hear from you.  Maybe you have a different size in mind for one of the paintings, or would really like to see a different painting in print, or want framing ideas.  Please feel free to email me at jacquelinekmaloney@gmail.com. 

the places that need no names

 

Sky beneath sea.  22" x 30" watercolor.  675$

My work is not inspiring words as easily these days.  I think in part because it's a little scary exploring the mystery of my heart or spirit through my artistic practice, letting the boundaries between these previously very distinct aspects blur and even fade entirely.  My process is changing; truth and intimacy is finding its home in these images.  I would go so far as to say my art has come, until recently, from a mental or intellectual perspective of this world and my life in it, and now it is coming from emotion, impulse, and a captivation with the undefined and mysterious.  My brain is entering my art last, in a state of reflection, sniffing out the threads and patterns and motives that grow throughout these paintings and drawings.

Watercolor has provided an exciting new route of experimentation and discovery; I'm delighted with the history it reveals (of mark and texture and color) through transparency.  And the way it continues to surprise me as it reacts uniquely to different paper, amounts of water or pigment, accidents of my hand.  As a metaphor for an exploration of the Mystery it is just right.  It responds well to total presence, immersion in a moment.  Constant letting go, constant awareness.  It touches ideas of vastness and intimacy, newness and timelessness, this world and all the moments in this world that seem to belong in another.

With these three paintings I am delving into a place that is neither entirely conscious nor entirely spontaneous/subconscious.  Rather, I see the imagery as a fusion of the two, drawing heavily from dreams and visions that occur to me in meditation or physical ritual.  I can offer some perspective by mentioning that, while creating these works, I have been exploring the tradition of animal medicine and spirit guides from a variety of American tribal cultures, spending time with and observing animals,  reading and reflecting on ideas presented in the iChing (such as passive and active creativity, presentness, and a spiral path) and also regularly recording my dreams in writing when I wake each morning.  A major impetus for all of these areas of study and reflection is a strong belief in our responsibility to rejuvenate and contribute to our oral tradition.  The wisdom that will allow a culture or community to become in harmony with each other and our planet is found in its collective memory.  So, today, I think it is crucial to value our stories, whether they come from our waking experience with each other and the earth, or from the realm of dream or shadow.  It is all valuable, all with the potential to teach.

Spinner.  22" x 30"  watercolor and archival ink.  NFS

Heron mother (slight detail) 22" x 30" watercolor and archival ink.   SOLD

a show!

Hello!  Two weeks ago my friends in The Takeoff, one of the apartments at the Landing in Asheville, converted their living space into an art gallery and performance space.  They host these Salons every few weeks on a Wednesday night, providing a great opportunity for us local creative types to invite our friends and get our work a little exposure.  It was a beautiful evening;  I had space to put up everything I've been working on for the past few months, and besides the art there was a performance piece by Eddy, (getting his nails did!), an enthusiastic storytelling by Nat, and acoustic set by Max and an electronic one by Peter.  Good food by all.  Thank you to everyone who came out; your support and feedback meant so much to me!

Here are some pictures Nat took :)  I will be taking some better shots of the larger work and putting it up for sale on Etsy in a few days.